All temporary files provided for both artist and epigrapher at various stages of the documentation process are derivatives (downscaled versions containing selective layers of the original) of the relevant template set up for the studio file.All drawings produced are based on a single digital/digitized photograph called the Master Background, provided by the photographer in the required scale, output at studio resolution, and made part of the relevant template.The updated Chicago House method heavily relies on a set of digital templates created as high resolution (1200 dpi) Photoshop files containing all the necessary layers of information.Before we continue with our case study, it is necessary to summarize the most important expertise gained during our fieldwork: In the following article, we shall continue exploring new ways of enhancing our traditional documentation techniques in a meaningful way, this time mostly concentrating on the artist’s work in the studio. In the first section of our 3-part case study concerning the documentation of the sample scene LD177, digital EPIGRAPHY introduced the Epigraphic Survey’s most recent efforts at finding the best digital solutions in field epigraphy. Inking LD177 using Photoshop tethered to the iPad Pro by Luna Display and Astropad Studio Written by Jonathan Winnerman and Krisztián Vértes
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